Nilendra Deshapriya's directorial introduction 'Thanha Rathi Ranga' which is deciphered as 'In the middle of Yesterday and Tomorrow' has been chosen as an authority section to Julien Dubuque International Film Festival in the United States.
A street film around a nation where a 30-year old common clash has brutalized the brain science of its kin, making it totally difficult to settle with peace, the film spins around three companions who are profoundly joined in spite of their disparities and internal clashes to understand their fantasy of going by a land that was since a long time ago limited to be investigated.
The three principle characters of the film, Wimal, Suraj and Sirithunga, are curious animals, kind of screw-ups. Wimal, a three wheeler driver, has had numerous misleadings in life. Incautious, frequently colliding with snags Suraj is an oversensitive University understudy, influenced by an unexplained despairing.
At that point there is Sirithunga a jack of all trades, a father of three youthful youngsters.
They are solid, free men. Through these characters on a setting of a general public dispensed by a 30 year old common war, we paint a representation of contemporary Sri Lanka. Three companions, longing for a superior life, a future loaded with flexibility, love, cash. This future grievously vanishes uncovering to weak acts and triviality of the human soul.
The gathering of accomplished and capable stars incorporate Sarath Kothalawala, Kumara Thirimadura, Namal Jayasinghe, Sulochana Weerasinghe, Swarna Mallawarachchi, Anoja Weerasinghe, Nita Fernando, Kamal Addararachchi, Adam Adamally, Dayadewa Edirisinghe, Vishwajith Gunasekara, Wasantha Moragoda, Thumindu Dodanthenna, Priyantha Sirikumara, Amal Perera, Nadeesha Madushani, Sandali Welikanna, Sachin Chathuranga, Nadeeshani Weliwita, Dharanee Kaveesha, Dhanuri Heshara, Isuru Kothalawala, Joe Senevirathna, Sarath Chandrasiri, Dilka Samanmali, Elumalei Pillei, E .Thavamanidevi, R. Kamaladevi, K.gopithan and R.dilaxan.
Nilendra examined show and theater at school and at fourteen years old he composed his first stage play "The Horsecarriage" roused by the film "Rashoman" by the incredible Akira Kurosawa which turned into a gigantic achievement.
He was a dynamic part of the "gathering 78" at the Lionel Wendt Theater, a group where the imaginative first class accumulated and delivered numerous theater preparations.
Scripted by Sarath Kothalawala and Kumara Thirimadura, Dhanushka Gunathilake handles cinematography and workmanship heading is by Heenatigala Premadasa. Make up by Narada Thotagamuwa music created by Gayathri Khemadasa and Anupa Khemadasa. Altered by Ravindra Guruge, sound planner is Tapas Nayak the film is co-created by H. D. Premasiri and Sunil T. Fernando.
A street film around a nation where a 30-year old common clash has brutalized the brain science of its kin, making it totally difficult to settle with peace, the film spins around three companions who are profoundly joined in spite of their disparities and internal clashes to understand their fantasy of going by a land that was since a long time ago limited to be investigated.
The three principle characters of the film, Wimal, Suraj and Sirithunga, are curious animals, kind of screw-ups. Wimal, a three wheeler driver, has had numerous misleadings in life. Incautious, frequently colliding with snags Suraj is an oversensitive University understudy, influenced by an unexplained despairing.
At that point there is Sirithunga a jack of all trades, a father of three youthful youngsters.
They are solid, free men. Through these characters on a setting of a general public dispensed by a 30 year old common war, we paint a representation of contemporary Sri Lanka. Three companions, longing for a superior life, a future loaded with flexibility, love, cash. This future grievously vanishes uncovering to weak acts and triviality of the human soul.
The gathering of accomplished and capable stars incorporate Sarath Kothalawala, Kumara Thirimadura, Namal Jayasinghe, Sulochana Weerasinghe, Swarna Mallawarachchi, Anoja Weerasinghe, Nita Fernando, Kamal Addararachchi, Adam Adamally, Dayadewa Edirisinghe, Vishwajith Gunasekara, Wasantha Moragoda, Thumindu Dodanthenna, Priyantha Sirikumara, Amal Perera, Nadeesha Madushani, Sandali Welikanna, Sachin Chathuranga, Nadeeshani Weliwita, Dharanee Kaveesha, Dhanuri Heshara, Isuru Kothalawala, Joe Senevirathna, Sarath Chandrasiri, Dilka Samanmali, Elumalei Pillei, E .Thavamanidevi, R. Kamaladevi, K.gopithan and R.dilaxan.
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Nilendra examined show and theater at school and at fourteen years old he composed his first stage play "The Horsecarriage" roused by the film "Rashoman" by the incredible Akira Kurosawa which turned into a gigantic achievement.
He was a dynamic part of the "gathering 78" at the Lionel Wendt Theater, a group where the imaginative first class accumulated and delivered numerous theater preparations.
Scripted by Sarath Kothalawala and Kumara Thirimadura, Dhanushka Gunathilake handles cinematography and workmanship heading is by Heenatigala Premadasa. Make up by Narada Thotagamuwa music created by Gayathri Khemadasa and Anupa Khemadasa. Altered by Ravindra Guruge, sound planner is Tapas Nayak the film is co-created by H. D. Premasiri and Sunil T. Fernando.